A workshop that integrates sensitive dance and functional sound. Through this process artists and performers will develop a more integrated and organic voice and movement property. We will question how to create the right conditions, allowing a nourishing dialogue between this two worlds, our goal will be an “excellence ensemble”.
Singing effortlessly, freeing up your voice completely, letting movement guide you and dance. It is necessary to solve the tendency to separate, during an artist training, the development of a capable body, aligned and present on stage, with a powerful, audible but also comfortable use of the voice. This two aspects are often in competition, leaving the artist/performer in conflict on many aspects (practical and executive).
The result will inevitably be an uncompleted, fragmented, technically ineffective performance, despite all the executor’s efforts.
The goal of the workshop will be to experiment a process that starts from the motor level, to a motor-sensorial and finally opens up to a sensorial experience. This is the reason why so much research was made and a methodology was developed to connect, regarding physiology, movement and voice.
Evaluations, experiential work, theoretical classes, are considered an essential part of the work
We train to work in an ecological and functional way developing our instruments
The performer becomes its own spectator, he/she will enter a space where he/she will follow and be guided by the action more than activating him/herself. The observer will be fascinated by the simplicity, truthiness and completeness of what he/she’s carefully observing.
One year. Two hours classes, one or more days a week.
Theatre schools, cultural associations, centers for excellence.
Courses in Voice and Sound